Here’s another old animation test I found that I still kinda think holds up. At one point I was gonna do a short about a short greedy king who tries to go on living in his castle after all his servants, tired of his demanding selfish ways, quit on him. I was gonna do it in sort of a graphic, UPA-esque inspired style, and I made this little test to see how it might look. Looking back, those colors are absolutely garish, and I sort of half-assed those columns and background elements. Now I just dig the little animation cycle I did of the king, who’s face I based off of my dad’s.
I stumbled upon a folder filled with some old rough animations I made back in 2012 (which to me feels like a LONG time ago). And surprisingly, some of them didn’t make me go “YEESH!” like they usually do.
Here’s one of them; an unfinished piece with a pirate finding “treasure” on the beach.
To commemorate Don Lusk’s 100th birthday, here’s the Arabian Dance sequence he animated for Fantasia way back in 1940. Apparently, there were so many drawings of these coquettish fish that there were stacks of ‘em piled up to the ceiling (the scene is animated almost completely on one’s).
Just look at how gorgeous this scene is. And to realize the amount of progress and development that these animators made over such a short time is simply astounding. In barely ten years they progressed from the black-and-white rubber-hose Mickey Mouse cartoons to the complexity and beauty of Snow White and Pinocchio. I’d go as far to say that this sequence (among the many other breathtaking scenes from Fantasia) was the pinnacle of the medium. At this point, there was no limit to what they could do.
Another one of those random aimless animations that I found on my work computer from about 8 months ago. One of those cases where I was waiting for feedback on a shot or a new assignment for the day and had to kill time.
Only killed about 20 minutes, I recall.
Another rough shot from my Yoplait yogurt commercial.
I really liked the little staccato action I gave to the rooster at the end of his crow, where his back end raises up, his toes drag and his head vibrates, but it sadly got obscured by the sun beam that encompasses the screen for the wipe transition.
Ah well, at least you’re able to see some anticipation and squash-n-stretchy bits where the rooster puffs up and moves like a bellows.
A few months back, I animated a 30-second commercial for Yoplait yogurt. I’m not sure if I’m allowed to post the finished animation online yet, but I think it would be okay to at least post a screencap from it.